THE YOUTH OF MY ERA
We wanted to see life without violence. We wanted media that contained truth. Some of us risked our lives to find out what the government was doing and let the underground press know. We wanted to talk about things in print that we were not allowed to discuss in our culture of origin. We wanted to live without stupid, arbitrary rules, either for ourselves or for our children. Some of our children, as adults today, say they wish we had been more protective of them, or offered more structure.It was a moment in history when a mushroom explosion of consciousness began altering the life force. Through that explosion, we broke down the prison walls of "intellect as the ultimate". We focused on the heart, and by doing so, reopened our cookie jar of possibilities·politically, socially, sexually and spiritually. The effects of that explosion have permeated our culture.
My first car, that I bought from my parents. I called her “Black Beauty”. She fulfilled my love for cars and girls.
More than 58,000 Americans lost their lives in the conflict in Indochina that ended in 1975.
One of the most famous images in the collection by Burrows is the shot 'Reaching Out,' the moment when wounded Gunnery Sgt. Jeremiah Purdie, photographed with a blood-stained bandage tied around his head, is drawn to his fellow soldier, who lays wounded on the ground. Though some of the pictures by the renowned war photographer did appear in the magazine in the 1970s, some never made it to publication and are being seen for the first time in the LIFE.com gallery.
The war correspondent has been praised for his indefatigable commitment to chronicle the conflict through pictures that communicated the horror of the fighting and honored the lives lost in the conflict in a way words just never could fully transmit.
Reaching Out: Wounded Marine Gunnery Sgt. Jeremiah Purdie (center, with bandaged head) reaches toward a stricken comrade after a fierce firefight
Battle: A dazed, wounded American Marine gets bandaged during Operation Prairie
Fallen: Four Marines recover the body of Marine fire team leader Leland Hammond as their company comes under fire near Hill 484. (At right is the French-born photojournalist Catherine Leroy)
THE YOUTH IN THE HOME FRONT
Evocative: This photograph showing American soldiers boarding a Chinook helicopter is one of 2,000 taken by Charlie Haughey during his tour of duty
Tough: Soldiers wore towels around their necks to wipe away sweat in the relentless jungle heat
Locals: Vietnamese children peer through a gate at the American photographer during his tour in 1968-9
Time out: Soldiers enjoy a brief moment of relaxation as they ride a Chinook over Vietnam
Last year a chance discovery brought the images to light again - and this week they are going on display in an exhibition casting new light on the controversial conflict.
Mr Haughey had been at art school in his native Michigan as a young man, but ran out of money and started working in a factory.
In October 1967, he was drafted into the Army and sent to San Francisco to be deployed.
He says his carefree attitude encouraged him to 'just go with the flow' - but he was astute enough to alter his personnel file to claim that he was a photographer, sensing that this might give him an advantage in Vietnam.
Two debutantes making their debut at cotillion at the Waldorf Astoria Hotel, New York.