Old War Movies

Moving pictures or movies as it is called for short, were made by entrepreneurs to entertain the people for a profit. It became a powerful media to convey the masses into a different world, away from the reality of daily life. Towards the 1930's, it morphed into one of the best propaganda tools by governments to sway and instill ideas to its citizens. Ask yourself this question the next time in the movies, either it was made for propaganda or entertainment?............AMOR PATRIAE

Thursday, August 17, 2023

Thievery by the Cunningham Piano Company in Philadelpia Owned by Rich Galassini. I bought this piano from the Church of the 7th Day Adventist of Philadelpia. Along the way to delivery, there was a stopover of 3 weeks at the Cunningham Piano Company. I suspected an anomaly happening inside the factory, until it was delivered to my home in California. It was the piano action that they changed, like a ferrari changing it to a chevy engine. The concert grand Estonia with serial number 7476, this piano was constructed in 1999 to 2000. All my complaints were submitted to the BBB of Philadelpia, but I think the circulation is limited compared to my 26 blogs have more than 10,000,000 visits.

The 9' concert grand piano is perfectly located under a 30' ceiling of the family room. The acoustic is just right for the sound flows to the breakfast nook then to the adjacent open kitchen.

"Closely resembling the Hamburg Steinway in both sound and touch, the Estonia combines, in one instrument, some of the best qualities of the great American pianos with those of the high-end Europeans. Its rich, full-bodied, and three-dimensional sound is American-like, whereas its purity and clarity are European-like. Its most distinguishing feature is its wonderfully sustaining, lyrical tone. More than anything else, it is this quality of tone that defines the Estonia piano and gives it its own special place in the high-end market." -- PianoBuyer, Fall 2009

Estonia Concert Grand Model 274.

Length 9' 0"

Width 5' 2"

Estonia: 100% European hand made piano with clear, warm and notably resonant, singing tone qualities. Buyers: pianists & music lovers. With and without money..The action that Estonia is using does not contain just "Renner parts" that more then a few manufacturers try to pass as "Renner actions"...They also don't use Renner actions only on their top of the line concert grand models but other actions on almost all the other instrument they make, as some companies do.

The Estonia action is a FULL Renner action, which is being produced in Renner facilities in Germany, assembled in their Stuttgart, Germany factory, and sent to Estonia.
Each and every Estonia has a full Renner action, from the concert grand to the smallest 5'6 piano.
The full Renner action includes the rail, repetitions, flanges, shanks, damper undelever mechanism, damper heads, and of course the assembly. Estonia is also using the top of the line Renner Blue hammers. These are the same hammers used on Hamburg Steinway and Mason & Hamlin pianos (the density is a bit different as to the manufacturers specs, but quality and price are the same).
All full Renner actions use the SAME quality of moving parts, and there is no significant price difference between them although geometry may be different as to the manufacturer's specs.
Almost all High-end European manufacturers use full Renner actions in their pianos...at least in their concert grand pianos and largest models.

The Renner action has proven itself and it's long-term reliability in high performance pianos.
This is not cheap piano wire, but an expensive part with thousands of moving parts.

Iron plates come from Finland, and are made the old-fashioned, European way.

In order to guarantee the right quality, they are sand-cast, seasoned, and only the best plates pass the final selection. They have one year of iron plates in their inventory, and only the best would be selected. It takes modern machinery to make even the rough surfaces and prepare for their mirror-like polish finishes,, at which their craftsmen show their experience. They continue to test them, to make sure that they do not interfere with the piano sound but are there to support the structure. Shiny, smooth, and even, they have received a lot of praise at international music trade shows, and are considered among the best from Europe.

Is it any wonder that Estonia became rated by Piano Buyer in same class of quality as Steinway NY this, in record time?Weight 1213 lbs. I have been reading on this piano for several years, because of their reputation for their quality sound and probably the equal of a Steinway and the making of a stradivarius of pianos in the future. A very wise investment and a good family heirloom to pass down.

- Columbus Dispatch 07/13/08 "I just had to write you an email to tell you that I am completely, totally, head-over-heels in love with my Estonia studio grand piano. In 25 years of playing the piano, I have never had an experience even remotely similar to the Estonia. I have never heard a piano sound so clear, touched keys that literally form to my fingertips, had such an ability to control the high and low registers, or be able to play so soft and so loud and yet have the notes sound so very different. I am truly a better, more proficient and happier piano player with my Estonia. Growing up with a Kawai, I always assumed that I would purchase the same, or at the very least, a Yamaha. But as soon as I sat down at the 5 foot, 6 inch Estonia, I knew that this was my piano, my instrument. As a composer, one issue with all of the other piano's on which I created music was that my shoulders would be sore after an hour or so of playing. After playing my Estonia for 7 straight hours with absolutely no pain, it is clear that the Estonia experience is unique in so many, countless ways.

The Estonia Piano, Hot And In Demand

Estonia is arguably "the hottest European piano on the planet." Immaculately crafted, Estonia pianos have a history dating back to 1893, yet the Estonia piano had been an almost unknown member of the piano industry until about 1999/2000 when Estonia, a tiny country just across the Baltic Sea from Finland, gained its independence after the break-up of the Soviet Union.

After Estonia gained its freedom, the country's nationalized piano company was privatized in 1994 under the ownership of its managers and employees. At that time, Dr. Indrek Laul, an Estonian and renowned pianist was a PhD candidate in piano performance at the Julliard School of Music.

The rims are strong and thick, much thicker than most other pianos. Dense rims are important for a rich sound, plus solid beams support the overall tension of the piano structure, further adding to the balance and longevity of the instrument. Multiple layers of select North-European birch are glued together in a press where they dry over a long time; in addition, the outer frame is set aside to cure separately thereafter. After curing and testing, the wood is further shaped according to exact measurements to form the rim.

Probably a lot of you have, and on the other hand many others haven’t heard of the new kid on the block - The Estonia Piano.

According to the Columbus Dispatch, last year the Estonia Piano Factory in Tallinn exported 300 pianos both grands and baby grands, most of them to the United States. Chris Foley Points out that it would be interesting and important to know how these piano age. Sounding wonderful in a show room is one thing - sounding great after a few years is quite a different matter.

Dr. Indrek Laul Playing A Rachmaninoff Etude On His Estonia 210 Piano At The Factory

E S T O N I A P I A N O S

Tallinn, Estonia

Ebony Polish Estonia Concert Grand Model 274.

Length 9' 0"

Width 5' 2"

Weight 1213 lbs.

Over 7500 Concert Grand pianos have been made in Estonia, which is probably the largest number of concert grand made by any piano factory.Estonia Pianos is the only manufacturer from the former Soviet Union that has survived, and now has a reputation of excellent quality at a lower price than other European pianos. Estonia pianos have complete Renner actions made in Germany, the same as used by Fazioli, Hamburg Steinway, Bosendorfer and most other tier one pianos.”

ORIGINAL ESTONIA PIANO RENNER ACTION BLUE POINT HAMMER WAS REMOVED AND REPLACED WITH A CHEAP ACTION I bought an original Estonia Piano from Gary Dawkins 610.585.8598 representing the 7th day adventist church of Philadelpia who owned the piano. During the delivery process, the piano was transferred to the above company for preparation ( ORIGINAL ESTONIA PIANO ) of shipment. It took about 3 weeks before the delivery was started, not knowing that Rich Galassini was replacing the original Renner action was being replaced with a cheaper action. I found in google that the piano company was selling the Renner action was sold for $5000 to another client. I was happy at first when I received my Estonia Concert Grand with Serial # 7476 in September 2016 even without the bench that was promised in the contract with Gary Dawkins. Later, I found out that the ORIGINAL ESTONIA PIANO RENNER ACTION BLUE POINT HAMMER WAS REMOVED AND REPLACED WITH A CHEAP ACTION before delivery to my residence in El Dorado Hills, CA. I wrote a separate letter to the Estonia Factory to confirm the maker's original factory specification of the action. Please explain why the discrepancy, as this piano is not a true Estonia Concert Grand anymore. Give me a resolution to this problem to save everybody's reputations. I like to have a resolution to this theft and breach of contract. Thank you.

Cunningham Piano Company Response

02/28/2023

Dear Alexander, My name is Rich G******** and I own Cunningham Piano Company. I have not yet checked our records, but I believe that we did indeed pick this up at the North Philadelphia Seventh Day Adventist Church to be transferred to a long distance moving company, and I assume, to you. I do need to share that replacing an action in a concert grand piano is not a cheap process and the only concert grand piano actions that could be used would have to be custom made to fit a piano like Estonia, which is a very expensive process. Our go to manufacturer of custom built actions is Renner. Further the only piano that the action would fit is another Estonia concert grand made at close to the same manufacturing date. You also state that you saw we had sold your used action parts for $5,000.00 on Google. That does not make sense to me because NEW custom made Renner action parts would cost less than that at that time. Any technician would take many hours to remove the action parts, many more hours (about 80 to 100 hours) to install new parts, regulate them, and voice the piano to perform. Please do not interpret this response as an unwillingness to help. I want to help. But I assure you that your speculation of what occurred is incorrect. We do custom restoration for professional pianists, universities, and true lover of piano. We would never do what you have speculated and further, we would loose thousands of dollars doing so. Please call 800 394-1117 at your earliest convenience and ask for me. I am happy to help however I can in finding out what has actually occurred, Mr. C*******. Yours, Rich G********, Owner Cunningham Piano Company

Customer Response

02/28/2023

Why was the transfer originated from your piano factory site, it should have been from the church of the 7th Day Adventist. The delivery truck was at your factory site as I informed them to get it at that factory instead, but Mr. G******** said the piano is not ready and to come back 3 weeks later. Is it about the right amount of time to tamper and change the action, as he said 80 to 100 hours. Also the $5000.00 on the google advertisement included the intallation and the Renner Action. My wife is a professional pianist and the piano delivered to us is not an Estonia original compared to any high European brand, the tone and touch do not have the characteristics of an expensive piano but just ordinary. FYI, we have 3 grand pianos in my house, so I can not be deceived by this tampered piano.

Cunningham Piano Company Response

03/02/2023

Dear Mr. C*******, The reason the piano was picked up at our warehouse is because the long distance movers do not do pick ups where there is no loading dock. We did nothing to the piano while it was in our warehouse. I am happy to have a conversation with you and I truly want to help, but what you are suggesting did not happen. The action would only fit another Estonia concert grand piano and I can buy a NEW renner action for $5,000.00. There is no one who would pay that. I ask again for you to please call me at *** ******** and ask for me by name. Also, please post the advertisement you keep referring to. It cannot exist. I truly look forward to helping however I can.

Customer Response

03/03/2023

Estonia Concert Grand Model 274. Length 9' 0" Width 5' 2" ADVERTISEMENTS ON ESTONIA CONCERT GRANDS A Fine Way to Treat ... an Estonia Sep 1, 2003,12:00am EDT This article is about 20 years old. Bright-and-brash-sounding pianos might be the norm, but the still little-known Estonia piano is making sweet noise with Old World parlor grands. The Russian-born Dmitry S**********, a world-class violinist, and his American wife, the light soprano Susan R******, are consummate classical musicians who demand the best. S********** performs on his very own Stradivarius, for example, an instrument built in 1717 and worth over $3 million. But that's precisely why a visitor to their London town house can't help noticing the grand piano sitting in their living room is no German Steinway, Bechstein or Bösendorfer. It's an Estonia.

Six years ago S********** and his wife walked into a top London piano dealership looking for a piano that could accompany their rehearsals at home. "There was this piano that sounded good," recalls S**********, immediately struck by the Estonia's tone, "and the price was certainly competitive to the more famous brands, which sometimes don't quite deliver what you expect. This is a very good working piano." Since then other music industry insiders--such as Grammy nominee Marc-André H*****--have picked up on word-of-mouth and discovered the high-quality piano. Says Neeme Jä***, chief conductor of the Detroit Symphony Orchestra: "It is one of the best-kept secrets in piano making today." The cognoscenti are not recognizing the handcrafted Estonia--named after the republic on the Baltic--just for its uniquely lush and romantic tone, but also for its exceptionally good value. The official U.S. list prices of the 167cm Estonia Studio Grand and the more popular 190cm Estonia Parlor Grand range from $21,402 to $31,206 and they come in everything from ebony to African bubinga. The 273cm Estonia Concert Grand, weighing 500 kilograms, retails for $65,000. (Piano dealerships typically offer customers 10% discounts on the suggested retail price.) How do these prices compare? "An Estonia Concert Grand can be had for roughly half the price of a Steinway Concert Grand," says Irving Faust of Faust Harrison, a New York dealer and restorer of "vintage" American Steinway, Mason & H***** and Estonia pianos. "This great piano is giving pause to a lot of other manufacturers, because they'll have to meet the standard of the Estonia if they want to survive." Piano making in Estonia stretches back 200 years, but the company itself was founded in 1893 by Ernst Hiis, an Estonian master craftsman trained at Steinway-Hamburg. When the Soviets annexed the Baltic state in 1940, the conquered country was forced to give Joseph Stalin a gift, and the nation of 1.5 million gave a Hiis-made piano. Stalin apparently loved the handmade grand, and the Soviet commissars made sure Hiis was given a factory to consolidate all other Estonian piano workshops under him and a near-monopoly to supply the empire with grand pianos newly branded with the Estonia name.

Production peaked under the Soviets at 475 grand pianos a year, but, isolated from new techniques, the Estonia factory inevitably fell into decline after Hiis' passing. The Berlin Wall fell, Estonia regained its national independence, and in 1993 the factory's 130 employees took the piano maker private. Jump now to New York, where a gifted Estonian pianist, Indrek Laul, was getting his doctorate at the Juilliard School. Laul contacted the piano maker of his homeland and discovered they didn't have U.S. representation and that annual production was falling, to just 49 grand pianos in 1994. The young musician found a distributor to spearhead Estonia's American business, and from then on, whenever Laul cut a record or performed, he spent his pay buying out Estonia stockholders, until he owned the piano maker outright. Laul, from a well-known musical family in Estonia, stayed in New York to build the brand in the U.S. but put his choirmaster father in charge of quality control at the Tallinn factory. His mother, meanwhile, was enlisted to test-run every piano before it was put in containers bound for the U.S. and other markets. "Most other piano companies went for bright, brilliant tones sounding through the orchestra," says Laul. "We wanted to offer something different, something that when you sat down and played, you really enjoyed." That's why the Lauls have reinvested all their profits into the business, systematically redesigning, rebuilding and improving a piano that a decade ago was merely middling. The mechanical innards, for example, are now made by Germany's Renner, the world's best maker of hammerheads, shanks and flanges; the soundboard is made from Siberian white spruce and treated with a proprietary technique at the Tallinn factory. Such technical details create the piano's old-fashioned tone, which is frequently described as romantic, sweet and mellow. "We compare it to old winemaking," says Laul. "A very good-tasting wine has its unique characteristics, and so does a piano."

The payoff? Production is back up, to 380 pianos a year, and Laul, 35, says he'd like to add more high-end dealers in places like Florida, where the Estonia is not yet represented. But he can't do so for the foreseeable future, because demand from his existing U.S. dealership is outstripping the Tallinn factories' production. If you want to stroke one yourself, go to "contact" on www.estoniapiano.com, and Laul's office will let you know where the nearest dealership is, anywhere in the world. But be prepared to haggle. Irving Faust in New York City is offering a sweet deal: If you buy an Estonia from his 58th Street store and want to trade up within five years, he'll buy it back at cost. That's because Faust is betting the still modestly priced Estonia will join the very few piano brands worldwide that appreciate, not depreciate, over time. "These are," says Faust, "investment-grade pianos." James Cameron, the principal at Estonia's U.K. distributor, the Edinburgh Piano Co., says British dealerships will probably also (but unofficially) take back the Estonia at cost if the buyer is spending considerably more on a grander Estonia or other more expensive piano. - Columbus Dispatch 07/13/08 "I just had to write you an email to tell you that I am completely, totally, head-over-heels in love with my Estonia studio grand piano. In 25 years of playing the piano, I have never had an experience even remotely similar to the Estonia. I have never heard a piano sound so clear, touched keys that literally form to my fingertips, had such an ability to control the high and low registers, or be able to play so soft and so loud and yet have the notes sound so very different. I am truly a better, more proficient and happier piano player with my Estonia. Growing up with a Kawai, I always assumed that I would purchase the same, or at the very least, a Yamaha. But as soon as I sat down at the 5 foot, 6 inch Estonia, I knew that this was my piano, my instrument. As a composer, one issue with all of the other piano's on which I created music was that my shoulders would be sore after an hour or so of playing. After playing my Estonia for 7 straight hours with absolutely no pain, it is clear that the Estonia experience is unique in so many, countless ways. "Closely resembling the Hamburg Steinway in both sound and touch, the Estonia combines, in one instrument, some of the best qualities of the great American pianos with those of the high-end Europeans. Its rich, full-bodied, and three-dimensional sound is American-like, whereas its purity and clarity are European-like. Its most distinguishing feature is its wonderfully sustaining, lyrical tone. More than anything else, it is this quality of tone that defines the Estonia piano and gives it its own special place in the high-end market." -- Piano Buyer, Fall 2009 Estonia: 100% European hand made piano with clear, warm and notably resonant, singing tone qualities. Buyers: pianists & music lovers. With and without money..The action that Estonia is using does not contain just "Renner parts" that more then a few manufacturers try to pass as "Renner actions"...They also don't use Renner actions only on their top of the line concert grand models but other actions on almost all the other instrument they make, as some companies do. The Estonia action is a FULL Renner action, which is being produced in Renner facilities in Germany, assembled in their Stuttgart, Germany factory, and sent to Estonia. Each and every Estonia has a full Renner action, from the concert grand to the smallest 5'6 piano. The full Renner action includes the rail, repetitions, flanges, shanks, damper undelever mechanism, damper heads, and of course the assembly. Estonia is also using the top of the line Renner Blue hammers. These are the same hammers used on Hamburg Steinway and Mason & H***** pianos (the density is a bit different as to the manufacturers specs, but quality and price are the same).

My wife playing a non Estonia grand that sounds better than the piano deliverd from the above piano company.

All full R***** actions use the SAME quality of moving parts, and there is no significant price difference between them although geometry may be different as to the manufacturer's specs. Almost all High-end European manufacturers use full Renner actions in their pianos...at least in their concert grand pianos and largest models. The Renner action has proven itself and it's long-term reliability in high performance pianos. This is not cheap piano wire, but an expensive part with thousands of moving parts. THE DELIVERY OF THE PIANO TO US WAS DONE BY A TRUCK WITH ELEVATOR (shipping truck elevator tailgate lift) SO THERE WAS NO NEED FOR A LOADING DOCK.

CONFIRMED (STOLEN) CHANGED OF RENNER ACTION BY CUNNINGHAM PIANO COMPANY FROM A PIANO FORUM

When Did Estonia Become a "Premium" Brand? - 11/30/16 04:51 PM

Is Estonia now considered in the same league as NY S&S? When I purchased my piano 11 years ago it was a performance grade piano (not exactly sure what that means), it's still a very nice instrument with Renner actions and Renner Blue hammers. There have been a number of changes since that time that have made them somewhat better instruments, I recall the improved harp and change in sound board that seemed to allow somewhat lighter hammers (and consequently lighter action). There were cosmetic changes at the same time that make these instruments easy to spot (mostly the nicer nuts on the harp). If the L190 you're looking at has plain screws and hexagonal nuts inside then it's the older design (still a very nice piano and I would say a good deal at $13K).

The fact is there have been many changes and the Laul era has been a period of gradual improvement every year since before 2000. So it would be hard to pinpoint any one year as the time when they became a "premium" piano

When Did Estonia Become a "Premium" Brand? - 11/30/16 04:51 PM

Is Estonia now considered in the same league as NY S&S? When I purchased my piano 11 years ago it was a performance grade piano (not exactly sure what that means), it's still a very nice instrument with Renner actions and Renner Blue hammers. There have been a number of changes since that time that have made them somewhat better instruments, I recall the improved harp and change in sound board that seemed to allow somewhat lighter hammers (and consequently lighter action). There were cosmetic changes at the same time that make these instruments easy to spot (mostly the nicer nuts on the harp). If the L190 you're looking at has plain screws and hexagonal nuts inside then it's the older design (still a very nice piano and I would say a good deal at $13K).

The fact is there have been many changes and the Laul era has been a period of gradual improvement every year since before 2000. So it would be hard to pinpoint any one year as the time when they became a "premium" piano

Wednesday, August 16, 2023

DESIGN AND CONSTRUCTION OF A FLYING AIRCRAFT CARRIER MADE OF SUPER WOOD AND CARBON FIBER OR A LIGHT METAL COMPOSITE THAT FLOATS IN WATER POWERED BY ANTI GRAVITY PROPULSION

Depending upon mission needs, the ship can be outfitted with different modules that include:
■Manned aircraft, such as a helicopter and flight crew

■Manned and X-47 Unmanned Combat Air Vehicle (UCAV)

■Amphivious assault ship armed with laser, SAM and anti ship missles

Manned and Unmanned Combat Air Vehicle

Maybe the title’s “antigravity spaceship” aim is too high (it’s a long way ’till there), but Tesla, followed by other scientists along the last century, discovered the principle of propulsion using strong electromagnetic fields. It’s not about traveling on the ground, but from the ground up, with extraordinary speed and ease.
The entire document is posted on panaceauniversity.org/D8.pdf, here is a short description of what the “spaceship” does and how it can be built, as described by Patrick J. Kelly (update: the document I mentioned in 2008 doesn’t exist anymore) :
“Tesla performed an experiment in which he applied high-voltage high-frequency alternating current to a pair of parallel metal plates. He found that the ‘space’ between the plates became what he described as “solid-state” exhibiting the attributes of mass, inertia and momentum. That is, the area transformed into a state against which a mechanical push could be exerted. This implied that, using this technique, it should be possible to produce a spaceship drive anywhere in space, if the mechanism for thrusting against the ‘solid-state’ space could be determined. Further experiments convinced Tesla that powerful electromagnetic waves could be used to push against (and pull against) what appears to be ’empty space’. The drive principle is based on the Hall-effect used in semiconductor magnetic sensors, and is called the magnetohydrodynamic (“MHD”) effect. This might be illustrated like this:

Here, a box is constructed with two metal plates forming opposite sides and two insulating plates holding them in position and surrounding an area of ‘space’. High-frequency, high-voltage alternating current is applied to the metal plates and this creates an electric field “E” acting between the plates as shown in black.

A magnetic field “B” is generated by the electrical field. The magnetic field acts at right-angles to the electric field, as shown in blue. These two fields produce a propulsion thrust “F” shown in red in the diagram. This propulsion force is not produced by ejecting any matter out of the box, instead, it is produced by a reaction against the ‘solid-state’ condition of space-time caused by the high-frequency electromagnetic pulsing of that area of space. This is enormously more effective than a jet engine. The thrust increases with the fourth power of the frequency, so if you double the frequency, the effect is sixteen times greater.

To put this into perspective, consider the force being applied against gravity to lift an object into the air. The force pulling the object downwards is gravity and its strength is given by:

Gravitational force:

F = g x M x m / r2

where

G is the gravitational constant (6.672 x 10-8 cm3 g-1 s-2)

M is the mass of the first body

m is the mass of the second body and

r is distance between the two centres of mass

The lifting force is given by:

Lorentz Force: Force on an object = Electric force + Magnetic force

F = q x E + q x v x B

where

q is the charge on the object,

B is the magnetic field,

v is the velocity of the object and

E is the electric field

How do these forces compare? Well, the electromagnetic force is stronger than the gravitational force by a factor of about 2,200,000,000,000,000,000,000,000,000,000,000,000,000 times. That number (2.2 x 1039) is too big for anybody to really visualise, so let me put it another way.

If the amount of energy used to mechanically lift an object a distance of one hundredth of an inch (one quarter of a millimetre) off the ground, were used as an electromagnetic lifting force, then that amount of energy would lift the object more than 3,472,222,000,000,000,000,000,000 miles off the ground, or in metric units, more than 5,588,001,700,000,000,000,000,000 kilometres off the ground. This kind of drive is an entirely different kind of animal. This Hall-effect type of drive if used in a spaceship would require only a very small amount of input power to drive the ship at great speeds and over great distances.

As the device shown above operates directly on the space-time field which penetrates all matter, there would appear to be no reason why it should not be used to drive a conventional vehicle by positioning it in a horizontal position rather than the vertical position shown in the diagram. Throttle operation could be by very slight adjustment to the frequency of the AC pulses applied to the metal plates. However, Bill Lyne indicates that horizontal movement is better achieved by producing Tesla’s very short, high-voltage high-frequency DC pulses at the front of the vehicle while at the same time generating very high-voltage high-frequency AC waves at the back of the vehicle. This style of drive is said to pull the vehicle along rather than push it along.

Tesla’s Dynamic Theory of Gravity (1897) states that all bodies emit microwaves whose voltage and frequency are determined by their electrical contents and relative motion. He measured the microwave radiation of the earth as being only a few centimetres in wavelength. He said that the frequency and voltage were influenced by the velocity and mass of the earth, and that its gravitational interaction with other bodies, such as the sun, was determined by the interaction of the microwaves between the two bodies.

If you find the concept of producing a driving force through pushing against the space-time continuum to be difficult to accept, then perhaps you should consider the US Patent granted to Boris Volfson on 1st November 2005. The important thing about this patent (which is crammed full of long words) is not whether or not it presents a realistic mechanism for a practical space drive, but the fact that the US Patent Office in the year 2005, granted the patent after what presumably was careful consideration. With that in view, it is hardly possible to consider Tesla to have been totally confused when he designed (and built) his “electric flying machine” which operated by pushing against the space-time field.

Tesla used high voltage at gigahertz frequencies for his electropulsion system. The propulsion of a vehicle powered by a Tesla drive is by the use of an additional AC generator at the back (which stiffens the space-time continuum behind the vehicle) and a DC ‘brush’ generator at the front (which weakens the space-time continuum in front, causing the vehicle to be pulled forwards).

Tesla was very astute. He deduced that ’empty space’ actually contained:

1. Independent carriers which permeate all space and all matter and from which all matter is made. These carry momentum, magnetism, electricity or electromagnetic force, and can be manipulated artificially or by nature.

2. ‘Primary Solar Rays’ (starlight) which travel at the speed of light, having frequencies far above X-rays, gamma and UV radiation.

3. ‘Cosmic Rays’, particles in space propelled by the Primary Solar Rays.

4. X-rays, Gamma rays and UV electromagnetic waves, all of which travel at the speed of light.

5. Ordinary visible and Infra-Red electromagnetic waves which travel at the speed of light.

6. Rapidly varying electrostatic force of enormous potential, emanating from the earth and other gravitational bodies in space.

When we grasp the actual nature of the universe, it becomes clear that we have a much larger range of opportunities for producing usable energy in large quantities and at minimal cost.”

MATERIALS OF CONSTRUCTION

For anti gravity propulsion Dielectric Materials or, insulating material which is a very poor conductor of electric current is needed for the body of the ship. When dielectrics are placed in an electric field, practically no current flows in them because, unlike metals, they have no loosely bound, or free, electrons that may drift through the material. Instead, electric polarization occurs.

Dielectric typically means materials with a high polarizability. The latter is expressed by a number called the relative permittivity. The term insulator is generally used to indicate electrical obstruction while the term dielectric is used to indicate the energy storing capacity of the material (by means of polarization). A common example of a dielectric is wood which is the electrically insulating material between the metallic plates of a capacitor. The polarization of the dielectric by the applied electric field increases the capacitor's surface charge for the given electric field strength.

Super wood that is so strong it can stop a bullet and is as robust as STEEL could be the building material of the ship. Engineers boiled blocks of regular wood in a chemical solution to soften them. These were then pressed between heated metal plates at extreme pressures. This increasing its density threefold while reducing its thickness by 20 per cent. The resulting material was able to stop a projectile in its tracks during tests. Super wood that is as robust as steel and six times lighter could be a renewable construction material for the future, according to scientists. Planks of the reinforced lumber, which researchers have compared to carbon-fibre, could be used to create anything from buildings and cars to bullet proof jackets. Scientists put the material through its paces in ballistic tests and found that a laminated version could even stop a projectile in its tracks.

A new wonder material has been created from a surprisingly traditional source. Super wood is as robust as steel and six times lighter. Scientists put the material through its paces in ballistic tests and found that a specially laminated version can stop a projectile in its tracks

Engineers at the University of Maryland created their super dense wood by boiling blocks of regular wood in a water-based solution, containing the chemicals sodium hydroxide and sodium sulfite.

This process removed organic compounds in the wood that give its structure and rigidity, making it more pliable.shares

It is similar to the initial stages of treating wood to create paper.

The team then pressed the softened wood between two metal plates, heated to 100°C (212°F), at 50 times the atmospheric pressure of the Earth.

By doing so, all of the gaps between cells in the wood were squeezed together.

The pressure creates a chemical bond between the atoms that make up the wood's cellular structure.

It shrunk the size of the block to around one fifth of its original thickness, increasing its density by 300 per cent.

Liangbing Hu, who led the research, said: 'This new way to treat wood makes it 12 times stronger than natural wood and ten times tougher.

'This could be a competitor to steel or even titanium alloys, it is so strong and durable.

'It's also comparable to carbon fiber, but much less expensive.

The team tested the new wood material and natural wood by shooting bullet-like projectiles at it.

Engineers at the University of Maryland created their super wood by boiling blocks of regular wood in a water-based solution containing the chemicals sodium hydroxide and sodium sulfite

This process removed organic compounds in the wood that give its structure and rigidity, making it more pliable. This image shows the treatment process used

The projectile blew straight through the natural wood, while a single layer of the treated wood slowed the projectile's progress.

A third laminated version, consisting of layers of five-layers of the densified wood, was penetrated by the projectile but stopped it from exiting.

Dr Hu's research team has explored the capacities of wood's natural nanotechnology in the past.

WHAT IS THE STRONGEST MAN-MADE MATERIAL?

For years, researchers have known that carbon, when arranged in a certain way, can be very strong.

Two man-made materials based on carbon, Graphene and Carbyne, are among the strongest in the world.

Carbyne is linear acetylenic carbon, or an infinitely long carbon chain.

Its existence was first proposed in 1885 by Adolf von Baeyer, who warned it would remain elusive due to extreme instability.

Carbyne is a one-dimensional form of carbon and is thought to be 40 times stiffer than diamond and twice as stiff as graphene, outperforming all other carbon materials in strength.

After eluding scientists for more than 50 years, a team of researchers found a way to not only synthesize carbyne, but to mass produce it, in April 2016.

Graphene, a single atomic layer of carbon atoms bound in a hexagonal network, was previously thought to be the strongest man-made substance.

It not only promises to revolutionize semiconductor, sensor, and display technology, but could also lead to breakthroughs in fundamental quantum physics research.

It is often depicted as an atomic-scale chicken wire made of carbon atoms and their bonds.

Scientists believe it could one day be used to make transparent conducting materials, biomedical sensors and even extremely light, yet strong, aircraft of the future.

Similar to another important nanomaterial - carbon nanotubes - graphene is incredibly strong - around 200 times stronger than structural steel.

While notable for its thinness and unique electrical properties, it’s very difficult to create useful, three-dimensional materials out of graphene.

In January, 2017, a team of MIT researchers discovered that taking small flakes of graphene and fusing them following a mesh-like structure not only retains the material’s strength, but the graphene also remains porous.

Based on experiments conducted on 3D printed models, they determined that this new material can be used to make objects 10 times stronger than steel, with only five per cent of its density. They have previously made a range of technologies out of nanocellulose related materials.

This has included super clear paper for replacing plastic, photonic paper for improving solar cell efficiency by 30 per cent and transparent wood for energy efficient buildings.

The full findings of the latest study were published in the journal Nature.

The pressure creates a chemical bond between the atoms that make up the wood's cellular structure. It shrunk the size of the block to around one fifth of its original thickness, increasing its density by 300 per cent. This image shows the changes in the various wood samples

The team tested the new wood material and natural wood by shooting bullet-like projectiles at it. This image shows the results of those tests

Materials of construction shall be that can float on water: Radical new material a metal matrix could lead to 'indestructible' warships and ultralight cars. Metal matrix composite was developed with the US Army. Alloy is turned into foam by adding strong, lightweight hollow spheres. Warship made of it will not sink despite damage to its structure. Researchers have demonstrated a new type of metal so light it can float on water.

The radical new material, called a metal matrix composite, was developed with the US Army.

A boat made of such lightweight composites will not sink despite damage to its structure.

The radical new material, called a metal matrix composite, was developed with the US Army and could be used in everything from warship to cars.

HOW IT IS MADE

The syntactic foam captures the lightness of foams, but adds substantial strength.

The secret of this syntactic foam starts with a matrix made of a magnesium alloy, which is then turned into foam by adding strong, lightweight silicon carbide hollow spheres developed and manufactured by DST.

A single sphere's shell can withstand pressure of over 25,000 pounds per square inch (PSI) before it ruptures—one hundred times the maximum pressure in a fire hose.

The new material also promises to improve automotive fuel economy because it combines light weight with heat resistance

Although syntactic foams have been around for many years, this is the first development of a lightweight metal matrix syntactic foam.

'This new development of very light metal matrix composites can swing the pendulum back in favor of metallic materials,' said Nikhil Gupta, an NYU School of Engineering professor in the Department of Mechanical and Aerospace Engineering and the study's co-author.

It was created by Deep Springs Technology and the New York University Polytechnic School of Engineering.

'The ability of metals to withstand higher temperatures can be a huge advantage for these composites in engine and exhaust components, quite apart from structural parts.'

The magnesium alloy matrix composite is reinforced with silicon carbide hollow particles and has a density of only 0.92 grams per cubic centimeter compared to 1.0 g/cc of water.

Not only does it have a density lower than that of water, it is strong enough to withstand the rigorous conditions faced in the marine environment.Significant efforts in recent years have focused on developing lightweight polymer matrix composites to replace heavier metal-based components in automobiles and marine vessels.

The technology for the new composite is very close to maturation and could be put into prototypes for testing within three years.

Amphibious vehicles such as the Ultra Heavy-lift Amphibious Connector (UHAC) being developed by the U.S. Marine Corps can especially benefit from the light weight and high buoyancy offered by the new syntactic foams, the researchers explained.

The syntactic foam made by DST and NYU captures the lightness of foams, but adds substantia strength.

CURRENT DESIGN OF AN ENGINE SUITABLE FOR A FLYING AIRCRAFT CARRIER

The first X-45A Unmanned Combat Air Vehicle (UCAV) technology demonstrator completed its sixth flight on Dec. 19, 2002, raising its landing gear in flight for the first time. The X-45A flew for 40 minutes and reached an airspeed of 195 knots and an altitude of 7,500 feet.

Credits: NASA Photo / Jim Ross Flying ships invulnerable to super cavitating torpedos

The Joint Unmanned Combat Air Systems (J-UCAS) program was a joint DARPA/Air Force/Navy effort to demonstrate the technical feasibility, utility and value for a networked system of high performance, unmanned air vehicles to effectively and affordably prosecute 21st century combat missions, including

suppression of enemy air defenses, surveillance, and precision strike within the emerging global command and control architecture. One of the aircraft systems evaluated was the Boeing X-45A, for which NASA Dryden provided technical expertise and support facilities.